The Drive control adjusts the input gain (☑5 dB) applied to a network of processors daisy-chained in series: a transient enhancer, compressor and tube-like saturator.
Nag that I am, I managed to extract more details from Steven Slate, CEO of Slate Digital. 1).īomber’s continuously variable Drive control is the cornerstone for the module’s operation, yet the operation manual is vague about what processing it induces at its different settings-no doubt to protect trade secrets. Simply drag modules from the browser-located to the left of the rack-into the rack’s empty slots to chain processors in series (see Fig. The effects rack (available in AAX, AU, RTAS, VST2 and VST3 formats) also offers compressors, equalizers, the company’s Virtual Console Collection and, of course, FG-Bomber as optional modules, each of which require purchase. Slate Digital offers the VMR rack shell and one module (the Revival Sonic Enhancement Processor) as a free download. I reviewed FG-Bomber in VMR Version 1.2.0.13 and Digital Performer 9.01, using an 8-core Mac Pro running OS X 10.9.5. Bomber’s intended applications include individual tracks, subgroups and full mixes. Combining digital models of analog transient processing, sustain-enhancing compression and tube saturation into one module, FG-Bomber’s GUI is designed for ease of use-just four controls and a VU meter. FG-Bomber ($129) is a new module for Slate Digital’s Virtual Mix Rack plug-in (VMR), an effects rack into which you can load up to eight compatible Slate signal-processing modules.
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